I am very excited to share with you Quirk’s latest recording: Nine Pieces for Five Players. The album contains nine original compositions by Richard Ingham. The Quirk Saxophone Quartet (soprano Sarah Markham, alto Kenneth Wilkinson, tenor Chris Jolly, baritone Sarah Hind) were joined by Richard on soprano saxophone to record the pieces.
Nine Pieces for Five Players was originally commissioned by and written for the Plume Wind Quintet. When I asked Richard if he would write something for saxophone quintet, he decided to rework these pieces for two sopranos, alto, tenor, and baritone saxophone.
Several of the movements were performed in Zagreb at the World Saxophone Congress. We were very excited about the blend of sound created with the quintet of saxophones, which prompted Richard to arrange the rest of the movements. Each movement is very different, and the whole album incorporates many musical styles. Five of the movements feature a member of the ensemble as a soloist with the others accompanying.
There is jazz, latin, funk, folk, as well as contemporary classical influence throughout the album.
View the launch video on the Quirk Music website.
2018-19 was a really busy year.
I returned to Greece to play at the International Greek Saxophone Festival in Larisa, this time with my quartet; Quirk, in duo with Kenneth Wilkinson, and also as a soloist. Being with the Greek saxophone community and enjoying the festival is very inspiring: I’m excited to have been invited back in 2020.
I had an exciting weekend performing Ibert’s Concertino da Camera with the London Sylvan Ensemble, a group of amazingly talented and committed musicians. The next day I joined Paul Turner at the Swindon Recital Series 25th Anniversary Concert to perform Walton’s Façade with the MORE ensemble. It was interesting to be a ‘soloist diva’ on the Saturday night and switch to working within an ensemble on the Sunday afternoon. http://www.classicalsource.com/db_control/db_conce...
I invited ensembles to be the focus of my Sixth Annual Saxophone Day at the University of Huddersfield. I welcomed Equinox, Yorkshire Saxophone Choir, and my saxophone student alumni to join me and Quirk. Only a few days later, at the Sounds Like THIS Festival in Leeds I was a soloist again, sharing the billing with inspirational contemporary violinist Aisha Orazbayeva.
There’s also been a lot of travelling. I took my partner Kenneth to Amherst Massachusetts to show him where I studied for two years during my masters degree in performance at UMass. We stayed with Professor Emeritus Lynn Klock, my former teacher. Hanging out with Lynn was great - we did our scales together bringing back student memories! We went to visit the UMass saxophone studio, now in the very capable and gentle hands of Jonathan Hulting-Cohen.
There’s lots more that I won’t bore you with; a wonderful trip to Barcelona with my partner and mum enjoying the works of Gaudí, a recording in the highlands of Scotland with Quirk…
It’s odd that my dad hasn’t been around to see what I’ve been up to.
It’s almost a year since my dad died and I’ll be travelling with my mum to France where I last spent time with him. It’s not planned, as a family we don’t do grand gestures of mourning, but I am glad circumstances mean that I’ll be back in Trédion for a day or two to remember him.
I'm finalising details of my fifth annual saxophone day at the University of Huddersfield. All the details and the day's programme of events can be found here.
It's great to have Richard Ingham as my featured guest, he was my first specialist saxophone teacher. We've known each other since he began teaching me in 1987. We've worked together many times, including in the Northern Saxophone Quartet. We've performed many times as a duo, including performing Lauba's Ars at the World Saxophone Congress in Slovenia. The saxophone day will include a rare performance of Dialogue de l’Ombre Double (Boulez) by Richard, alongside Pete Stollery (sound diffusion). My saxophone quartet Quirk will also be performing, and helping run the workshops.