2018-19 was a really busy year.
I returned to Greece to play at the International Greek Saxophone Festival in Larisa, this time with my quartet; Quirk, in duo with Kenneth Wilkinson, and also as a soloist. Being with the Greek saxophone community and enjoying the festival is very inspiring: I’m excited to have been invited back in 2020.
I had an exciting weekend performing Ibert’s Concertino da Camera with the London Sylvan Ensemble, a group of amazingly talented and committed musicians. The next day I joined Paul Turner at the Swindon Recital Series 25th Anniversary Concert to perform Walton’s Façade with the MORE ensemble. It was interesting to be a ‘soloist diva’ on the Saturday night and switch to working within an ensemble on the Sunday afternoon. http://www.classicalsource.com/db_control/db_conce...
I invited ensembles to be the focus of my Sixth Annual Saxophone Day at the University of Huddersfield. I welcomed Equinox, Yorkshire Saxophone Choir, and my saxophone student alumni to join me and Quirk. Only a few days later, at the Sounds Like THIS Festival in Leeds I was a soloist again, sharing the billing with inspirational contemporary violinist Aisha Orazbayeva.
There’s also been a lot of travelling. I took my partner Kenneth to Amherst Massachusetts to show him where I studied for two years during my masters degree in performance at UMass. We stayed with Professor Emeritus Lynn Klock, my former teacher. Hanging out with Lynn was great - we did our scales together bringing back student memories! We went to visit the UMass saxophone studio, now in the very capable and gentle hands of Jonathan Hulting-Cohen.
There’s lots more that I won’t bore you with; a wonderful trip to Barcelona with my partner and mum enjoying the works of Gaudí, a recording in the highlands of Scotland with Quirk…
It’s odd that my dad hasn’t been around to see what I’ve been up to.
It’s almost a year since my dad died and I’ll be travelling with my mum to France where I last spent time with him. It’s not planned, as a family we don’t do grand gestures of mourning, but I am glad circumstances mean that I’ll be back in Trédion for a day or two to remember him.
I’ve spent some time reflecting on my wonderful visit to Lárisa for the Sixth Greek Saxophone Festival. What an amazing and inspirational experience.
We’ve just arrived in Larissa ready for the annual saxophone festival that begins tomorrow in the conservatory of music. We arrived in Greece a couple of days ago and have spent an amazing couple of days discovering Athens.
The new Acropolis museum is fantastic, designed to mimic the proportions of the Parthenon. The manager of the hotel we stayed at recommended we visit the museum first and then walk around the site which was a great idea. We were able to imagine what it would have looked like when it was built two and a half thousand years ago. Wandering around Athens we saw loads of street sellers, artists, and buskers playing all kinds of music including a jazz guitarist who played with great simplicity and amazing feel. We joined in a group photo after being beckoned by some incredibly happy people from Taiwan, only to slowly realise we might have accidentally joined some kind of Taiwanese sect! After promising to meet them the next day we hurriedly left...
Our host for the festival, Stathis Mavrommatis, was kind enough to drive us north from Athens to Larissa. The festival starts tomorrow and I’ll be adjudicating one of the saxophone competitions and also meeting my pianist and will have a chance to rehearse. On Sunday I’ll be giving a master class, and performing in a concert along with the other international guests, Nino Dimov and Mimmo Malandra. We will then form the jury of the highest level competition.
This annual festival sees the whole saxophone community from Greece getting together. I’m excited to see and hear what’s going on in this welcoming country.
I’ve been teaching at the Royal College of Music junior department today as usual, but unusually I’m staying in London for the weekend. That’s because one of my talented students, Teddy Humphrey, is performing a recital in the Elgar Room at the Royal Albert Hall tomorrow morning as part of the classical coffee morning concert series. Teddy is a former student of James Rae and he will be playing the Sonata James wrote for me and my pianist Paul Turner for my 40th birthday concert. Teddy will be joined by two of his fellow students, Matthew and Josephine as well as me to play Iturralde’s Suite Hellanique for saxophone quartet. Teddy will also be playing pieces by Demersseman and Jolivet, pieces that helped him win his place to study at the Guildhall School of Music and Drama later this year. Teddy also studies jazz saxophone at the RCM junior department with Mornington Lockett, and he’ll be playing a arrangement by Mornington of a Sonny Stitt tune.
It was great working with Teddy and his pianist, Tony earlier today. It’s going to be a fantastic concert in the morning. https://www.royalalberthall.com/tickets/events/2018/classical-coffee-mornings-teddy-humphrey/
I'm finalising details of my fifth annual saxophone day at the University of Huddersfield. All the details and the day's programme of events can be found here.
It's great to have Richard Ingham as my featured guest, he was my first specialist saxophone teacher. We've known each other since he began teaching me in 1987. We've worked together many times, including in the Northern Saxophone Quartet. We've performed many times as a duo, including performing Lauba's Ars at the World Saxophone Congress in Slovenia. The saxophone day will include a rare performance of Dialogue de l’Ombre Double (Boulez) by Richard, alongside Pete Stollery (sound diffusion). My saxophone quartet Quirk will also be performing, and helping run the workshops.
I have been invited to perform an arrangement of the Glazunov Concerto for Saxophone for soloist and woodwind orchestra, conducted by Shea Lolin. Shea is the music director of the Bloomsbury Woodwind Ensemble, City Wind Orchestra and the East London Clarinet Choir. He has conducted several world premieres, having secured funding from all the major awarding bodies. He is also the artistic director of the ‘Woodwind Orchestra Play Day’ hosted at premiere venues throughout the country, providing amateur musicians with valuable playing opportunities.
I'll be performing the Glazunov with the Bloomsbury Woodwind Ensemble on Saturday 12th May 2018, 7:30 pm, at St James's Church, Paddington W2 3UD. This will be part of a concert titled 'Russian Fire', "a dramatic, eloquent and powerful concert of Russian scores". Here's a link to the details.
Stathis Mavrommatis, the president of the Greek Saxophone Association, has invited me to be an honoured guest of the 6th Greek Saxophone Convention. I'll be giving a performance, masterclass and on the jury of the saxophone competition. The details are here, it is all in Greek! Thank you Yamaha for your sponsorship.